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Gwyneth Paltrow goes retro in gorgeous photoshoot inspired by Audrey Hepburn and more

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Max Factor

1980s look inspired by Madonna

She’s probably spent thousands of hours in hair and make-up before filming during her decorated career in Hollywood.

But Gwyneth Paltrow obviously doesn’t mind spending more time under warming bulbs of a vanity mirror.

The gorgeous actress has recreated some of the most influential beauty looks of the past to celebrate 100 Years of Glamour.

Newly single Gwyneth collaborated with Max Factor to transform into the iconic styles from the fifties, sixties, seventies and eighties.

The four gorgeous looks are all finished with a modern twist and inspired by Audrey Hepburn, Brigitte Bardot, Farrah Fawcett and Madonna.

Max Factor

1970s look inspired by Farrah Fawcett

Meanwhile the founder revealed she wants to take a break from the dazzling lights of LA LA Land.

She told E! News: "I just finished a movie in January that I was doing at the end of last year in London with Johnny Depp, and then I had two weeks here, and then I did a couple of episodes for ‘Glee’ for the 100th episode.

"So I have to go back to mommy…I have a rule about one movie a year, so I can’t shoot anything for a while, but I’m developing some material and working on the site and raising kids."

Max Factor

1960s look inspired by Brigitte Bardot

The Iron Man 3 star also admitted that she finds it more difficult to be away from her children as they get older.

She said: "It’s much harder for me. I feel like I set it up in a way that makes it difficult because…for me, like if I miss a school run, they are like, ‘Where were you?’ I don’t like to be the lead so I don’t [have] to work every day, you know, I have little things that I like and obviously I want it to be good and challenging and interesting and be with good people and that kind of thing."

Max Factor

1950s look inspired by Audrey Hepburn

She added: "I think it’s different when you have an office job, because it’s routine and, you know, you can do all the stuff in the morning and then you come home in the evening.

"When you’re shooting a movie, they’re like, ‘We need you to go to Wisconsin for two weeks,’ and then you work 14 hours a day and that part of it is very difficult.

"I think to have a regular job and be a mom is not as, of course there are challenges, but it’s not like being on set."






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